My
desire to live and work in relationship to others is integral to my work
as a functional potter. I imagine that everything I make will find a place
in someone's life.
My work is about refinement. It is about honing in on
the essential. I look at the way that nature creates -- the connection
between trunk and branch, stem and fruit, the way the petals of a flower
unfurl. Could there be a better way to complete the human hand than the
precise fit between skin and nail?
In my quest for clear and elegant solutions to form
and function, I try to override my intellectual reaction; perfection is
a trap I have encountered. Instead, I judge my work by trusting my physical
response. When someone I love walks into the room there is a bodily felt
sensation. When the pot is right, a sense of warmth and excitement comes
through.
I want my work to offer a safe haven. After a long and
hectic day you finally arrive. Someone waits -- attentive, tending, considerate,
concerned. There is a slow exhale.
You're home.
education
MFA Ceramics New York State College of Ceramics at Alfred University, Alfred, NY
1993
BFA Ceramics
Kansas City Art Institute, Kansas City, Missouri
1991
Additional study,Jingdezhen Ceramic Institute, Jiangxi, P.R. China
1996
academic experience
Associate Professor,
School of Art, Louisiana Tech University, Ruston, LA Clarece Harp Lyles Endowed Professorship in Ceramic Arts
2005 - Present
Assistant Professor,
School of Art, Louisiana Tech University, Ruston, LA,.
1999 - 2005
Visiting Assistant Professor,
Pennsylvania State University, State College, PA
1998
Resident Potter,
Vermont State Craft Center, Middlebury, VT
1993 - 1997
exhibitions
Art of the Pot Reunion Exhibition, Austin, TX
2009
La Mesa, Santa Fe Clay, NCECA, Phoenix AZ
2009
Made in Clay, Greenwich House Pottery, New York, NY
2009
The Artful Tabletop, Lyndenhurst Historical Museum, Tarrytown, NY
2008
Cup Exhibition, Santa Fe Clay, Santa Fe, NM
2008
Art of the Pot Reunion Exhibition, Authenticity Gallery, Austin, TX